Gulf News
March 20, 2018
Design Diary: Ali Shawwa’s Art Showcases His Complex Roots
Ahead of his Dubai show, the contemporary artist looks back at his journey of self-discovery and what lies ahead.
It is very difficult to put Ali Shawwa in a box; in any box.
A Kuwaiti of Palestinian origin. He draws inspiration from the nomadic desert and the mystical writings of Paulo Coelho. His art mirrors his multi-cultural being as he shifts between the mediums of painting and sculpting, drawing from his Middle Eastern heritage and Mediterranean connection, superimposing it with the current milieu.
“Growing up, I felt peaceful and complete when I painted,” he recalls. Eager to learn, he signed up for elective creative and art history classes his university offered to not only learn the various styles, but more importantly gain perspective and form his own artistic voice. “Eventually I realised that I never wanted a style to burden or limit me. Currently, I feel relatively well-rounded in my process. Like me, my work is constantly evolving — as it should be.”
After graduation, the renowned architect and artist Maath Alousi took Shawwa under his wing. A growing command over the brush buoyed a shift to a more tangible form — sculptures. He then turned to the internationally acclaimed Cypriot master potter Valentinos Charalambous. Giving his protege direction beyond mere technique, Charalambous shared the philosophy and attitude that guides Shawwa’s current works.
In late 2015, Shawwa was invited to participate in a charity auction organised by Emergeast, the first online art gallery for emerging Middle Eastern artists. His artwork, Farid and Tahiya, turned out to be the biggest draw of the evening. This recognition not only gave him confidence, it also opened doors to the secretive and often clique-ish world of art.
Superimposed, his solo show that opens this week, is characteristic of Shawwa’s interplay of layers, texture, contrasting colours and reflective metallic elements.
The centrepiece of Shawwa’s new show is a sculpture that exemplifies the kind of artist that will hold forth in the years to come — one who is on the intersection of fine arts, humanity and high tech.
Gossipers started as a sketch in 1997, and quite unlike this consistent human trait, the series has constantly evolved. From watercolours, acrylic and ‘quick sand’ process, to ceramic sculptures glazed with Cypriote minerals, the series has maintained its connect with nature.
For his new show, Shawwa wanted to elevate the series to more contemporary platform. “I approached Immensa Technology Labs, the UAE’s first 3D printing facility, and worked closely with their team to produce a 3D printed edition of the Gossipers,” he says. “The one thing that remains consistent in my gossipers is that they all have coffee cups in their laps and you can almost hear them murmur!”
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Superimposed runs at Dubai Design District, from March 28 until April 10.
*source Gulf News